I listen to a lot of old country and I listen to a lot of old hipster electronic music, and also a lot of really lo-fi shit. I envy and admire those who are able to write and produce those massive hits. I can really admire a big public machine like Justin Bieber. You know, my parents loved Zeppelin and Springsteen and U2 and The Pretenders and The Police and all that kind of stuff. Anything that had a good strong melody, we loved it. I can be the biggest snob, but when it gets down to it, I can get into a Tom Petty record. In a sense, I almost don’t believe in guilty pleasures. Are you someone who mostly buys records or CDs, or do you go for digital music?
That record is just chock full of melodies and hooks and whatever. I definitely do digital music, but I’m definitely still an old-fashioned person in the sense that I buy a ridiculous amount of books and magazines.
I think there are people who I always…I think of U2 as a great example and I guess Arcade Fire comes to mind; bands that are sort of big and popular, exciting bands that also have political views and occasionally take the time to sort of step up and speak about the things they don’t talk about in their songs.
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Tegan Quin, a college freshman, gives a shot at figuring out her true identity using her music to reach the ones she desires the most.
Sara Clement, an aspiring teacher, notices the young student, and tries to understand the complexity behind her.
The big thing for me always was that I wanted to be able to talk about the things that I cared about or was inspired by or whatever, but I wanted to do it within reason.
When I love a band and I think that someone’s fantastic, and I find out that they also share some of the same thoughts or concerns or whatever, it’s very exciting.
And yeah, I realize that our natural genetics and whatever make us sound similar. After a couple of years, you think that your perspectives on things would change a tremendous amount, and yet they probably don’t.
You guys have talked a lot in the past about how, as songwriters, you have a sense of morality about yourselves and that you should be promoting a certain message with your music. Our approach to our band and our lives have remained pretty similar.
On your earlier albums, you would write one song and Tegan would write one.
Do you guys find that nowadays you pretty much write everything together or is it still split down the middle?
It sounds so boring, but it’s like that’s still my approach to the whole thing. You write things that have a message, but at the same time you don’t alienate the listener by being overly political.
Is that something you’re conscious of when you write songs that are a little more message driven?
But it is a fine line, because you can also like a band and find out they’re a bunch of dicks.